Bbc Equity Tv Agreement 6 June 2016.pdf

BBC Equity TV Agreement 6 June 2016.pdfEquity Audio Agreement 2017-18Voice Rates Card.pdfWalk-on Rate Card 2017 .pdfequity audio agreement 2017 18 final.pdfITV Main &Walk-On Agreement Jan 2016 – .pdfTAC Equity Walk-on Agreement 1st January 2018 WELSH.pdfTAC Equity Walk-on Agreement 2018 ENGLISH.pdf General Practice Registrar Employment Agreement 2015 and 2016 training year year 1 This model employment contract contains the default contractual agreements in accordance with the Equ Labour Act itable 2009, and TA ALERT 2015 2009-09 JULY 2009 Technical Accounting Alert Revenue from the licensing of intangible assets Overview Licensors enter into different types of licensing agreements with third parties. This agreement is sometimes used when TV productions are shot outside a 40-mile radius of Charing Cross. Payment is divided by day, night, post, additional expenses, travel and meal allowances 14 clause (T14) or for a second call, as set out in clause T18, may apply to this order. The artist is guaranteed a minimum commitment fee of at least one daily production payment for each subsequent working day that is worked beyond the first for a maximum period of fourteen consecutive days. Unless otherwise modified, all other conditions of the artist`s engagement are in accordance with the agreement. The commitment fee acquires non-theatric rights worldwide (see clause (T23)14) and the first uk Network Transmission. The terms of clause (T23)17 shall be applied to artists who have been booked for a commitment in accordance with this sub-clause and payment for the nominated additional use shall not apply. Clause (T9) MULTIEPSODIUM PAYMENTS 1. Multiepsodic Payment Production Categories Category A – Category B – Situation comedy, easy entertainment productions, broken comedy, fully dramatized school/adult education documentary and school productions/adult education that contain a significant dramatic element. every 2.

UK Network Production For Category A productions, the artist is assured of his/her commitment fee per episode, segment or rate in which his/her performances are integrated. For Category B productions, the artist`s payment for each episode, segment or rate is the sum of the artist`s engagement fee divided by the number of episodes, segments or installments in which his performance is integrated, which may not be less than per episode, segment or rate. Where appropriate, an agreement may be entered into between Equity and the manufacturer for alternative arrangements to the above multi-party conditions. 14 16 Time of use for each transmission pair, in accordance with the agreement between the association and the Union in force on that date. 5. In the event that a teacher`s overview is required, the artist receives 25% of his total income for off-peak transmission during the day, 12.5% at night outside peak hours and 50% if this transfer is made during peak hours. This use is not considered the first announcement of the United Kingdom for the purposes of the period mentioned above. 6. Payment for the designated additional use shall not be mandatory and shall be payable only when the first designated additional use takes place and any additional use is acquired in accordance with the provisions of Annex TA. 7. Where appropriate, an agreement may be concluded between Equity and the manufacturer with regard to alternative arrangements with regard to the period of non-theatrical use referred to in paragraph 1. Clause (T11) COMPILATION PRODUCTIONS These are productions composed mainly of excerpts from previously transmitted productions, made under this Agreement, celebrating the work of an artist, an established group of artists or a known production series.

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